What you should know about porcelain.
Porcelain is a specific type of ceramic material.
The necessary ingredient that
differentiates porcelain from other types of ceramic products is a
naturally occurring ore, called kaolin.
Kaolin is mined in several parts of the world. It is a pure white powdery
substance. When added to elastic,
naturally occurring clays, it allows the clay to be fired in an oven at
very high temperatures (1900 to 2300 degrees F). During this process, the clay melts and
turns into a glass-like or stone-like material.
Fine porcelain is a white, glassy, and durable material. A fine piece of porcelain is even-colored
and blemish-free.
Porcelain is commonly known in two forms:
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Hard Porcelain
-
Bone China
Hard
Porcelain is a combination of white ball clay, kaolin, and feldspar.
Ball clay has decayed organic material in it, such as
ground up dead leaves or plant material.
This allows it to stretch so that when the clay is fired, it will
not crack.
Kaolin allows it to hold together when fired to
temperatures necessary to melt it.
Feldspar is a very hard rock and gives the ceramic item
strength.
When hard porcelain is fired, it is non-porous. That is, the ceramic is solid all the way
through. When water is applied to
unglazed hard porcelain, the water will not penetrate it. However, at the
high temperatures necessary to melt the clay into a solid, it has a
tendency to droop or “slump”. These
shapes tend to slump even more. Thus
it is difficult to make hard porcelain that is thin and shapes that are not
warped. For this reason, the English
created bone china.
Bone China is composed of the ingredients
listed above. In addition, 40% bone
ash is added to the unfired clay.
This gives the porcelain shape “bone structure”.
Bone ash allows the clay to be produced thinner and
slumping does not occur in the oven.
It is possible to make porcelain that is translucent. However, bone china is porous, is fired
at lower temperatures and therefore is more fragile that hard porcelain.
What to look for in an excellent piece of porcelain.
Clear and blemish-free surfaces.
Porcelain is primarily white, but just like your palette
of whites at the paint store; the ore mined at different locations to make
porcelain can have slight shade differences.
Early Chinese porcelains had a definite gray-blue cast,
which we call gray body. Mottahedeh
makes many Chinese reproductions and gray body is often used.
The porcelain of Limoges is what we call French
body and it is a very bright white with a blue cast.
The porcelain of Portugal
is a soft white with a warm yellow cast.
No matter what the tone of the white you see, just like
perfect crystal has no bubbles, perfect porcelain has not spots. Spotting occurs when a bit of dust or a fleck
of metal gets mixed into the clay or glaze. A good porcelain factory is
extremely clean and neat, so as not to contaminate the clay.
Complex or difficult shape, while remaining thin or
light.
Getting porcelain to “stand up” in the oven is difficult. It is like understanding the stress
places in the gothic church. To
arrive at a new shape or master an old one, technicians must make a model
that may slump, but will slump to an intended appearance when the porcelain
is finished being fired.
Complex shapes are often made by pouring liquid clay
into plaster moulds. This requires
handwork. Many times it is not
possible to make a lot of pieces at any one time.
Beautiful color and delicacy of decorations.
Once upon a time, that is, for the last 2000 years,
porcelain decoration was painted by hand. Nowadays, 98% of porcelain is
decorated with lithography or silk-screened decorations.
Instead of using ink, porcelain decorations are created
using naturally occurring oxides or stone.
It was discovered by the Chinese that permanent pigments could be
created by using these elements:
|
Cobalt =
|
Deep Blue
|
|
Copper =
|
Yellow and green
|
|
Sulfur =
|
Browns and black
|
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Chromium =
|
Magenta
|
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Iron =
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Red
|
When the oxides are fired onto the porcelain, they turn
into stone and are fused to the plate.
The challenge is to get all the oxides to balance chemically and
fire at the same temperature, under the same conditions, every time.
The colors on a decoration are printed next to each
other and are usually applied to the porcelain all at the same time. The industry average
for colors on a dinner plate are 4 to 10 colors. At Mottahedeh, we start at 4 and make
decorations with up to 27 colors.
Our average is 16 colors.
Is the decoration vibrant, clear, colorful, gentle,
bold, subtle, and timeless?
These are the things to look for in beautiful porcelain.
Whatever it is, it should be “all-the–way”.
The plate or object should represent whatever that quality is with
conviction. For this reason, everyone may like something different, but he
or she will have a clear reaction to the statement made by the object. The object will still be appreciated
today and also in 100 years.
To summarize our understanding of excellent porcelain it
must represent these:
-
Purity
of body.
-
Pleasingly
light and unusual of shape.
-
Brilliance
of color and definitive style.
If you have not already, we hope you will develop a love
for this art form and build a collection of your own.